Skip to content

The Composer's Guide to the Tuba

  • About
  • Bibliography
  • Contemporary Techniques
    • Air
      • i. Breath sounds
      • ii. Circular Breathing
    • Digital/Analog
      • i. Amplification
      • ii. Sonification of instrument interior
      • iii. Contact mics
      • iv. Use of analog effects
    • Instrument
      • i. Valve trills
      • ii. Pulling/manipulating slides
      • iii. Filling with water
      • iv. Mutes
      • ix. Valve notation
      • v. Mouthpiece manipulation/alternative mouthpieces
      • vi. Glissandi
      • vii. Rhythmicizing the instrument
      • viii. Alternate fingering tremolo
      • x. Microtonality
    • Lips
      • i. Split tones
      • ii. Lip trills
      • iii. Overpressurization
      • iv. Lip bends
      • v. Airy sounds
      • vi. Ingressive Buzz
      • vii. Whistling
    • Movement
      • i. Stage presence
      • ii. Moving with instrument/theatrical movements
      • iii. Playing auxiliary instruments
    • Tongue/Oral Cavity
      • i. Fluttertongue
      • ii. Tongue rams
      • iii. Glottal stop
      • iv. Growl
      • v. Oral cavity modification
    • Voice
      • i. Vocal multiphonics
      • ii. Singing
      • iii. Screaming/yelling
      • iv. Theatrical speech
      • v. Vocal fry
  • Future Directions
  • Repertoire Lists
    • Euphonium with Electronics
    • Euphonium with Piano or Ensemble
    • Tuba or Euphonium in Chamber Setting
    • Tuba with Electronics
    • Tuba with Piano or Ensemble
    • Unaccompanied Euphonium
    • Unaccompanied Tuba
  • Selected Discography
  • Standard Technical Information
    • Articulation
    • Breathing
    • Fingering Patterns
    • Instrument Design
    • Range/Harmonic Series
  • Towards a Definition of the Tuba Family
    • i. Ancestors Both Near and Far: The Serpent and Ophicleide
    • ii. New Directions: Sax, Červený, Moritz, and the Creation of the Modern Tuba Family
    • iii. Regional Schools of Tuba Playing, and Their Effect on Instrument Development
    • iv. The Tuba Outside of the World of Western Art Music
    • v. The Argument for an Inclusive Tuba Family
  • Contact

Repertoire Lists

Unaccompanied Tuba

Unaccompanied Euphonium

Tuba with Electronics

Euphonium with Electronics

Tuba with Piano or Ensemble

Euphonium with Piano or Ensemble

Tuba or Euphonium in Chamber Setting

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

Search

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 89 other followers

Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • The Composer's Guide to the Tuba
      • Join 89 other followers
    • Already have a WordPress.com account? Log in now.
    • The Composer's Guide to the Tuba
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
%d bloggers like this: